Canon EOS 500D Review
Sep 27, †∑ In this video I look at the the menus for the Video mode onthe Canon EOS D T1i KissX3 in preperation for upcoming videos on how to use funlovestory.comibe - For. Mar 21, †∑ In this video I take you through the features and functions I use and dont on my own D/T1i/funlovestory.comibe - For more photography content including camer.
The first step is to make sure your camera is switched to Video mode. This will put your camera into Live View and allow you to see how your footage will look on the rear LCD screen.
This will give you complete control over all your video settings. For the highest quality results, especially if you plan to invest more time in editing your footage, you will want to shoot in 4K. Once in Video mode, click the Menu button and go to the fourth red menu to access the video recording quality section.
This is where you can set up all of the most important video recording features, such as:. By selecting the. A low frame rate such as 24 fps will give your video a filmic look, while higher frame rates like 60 fps and fps will allow you to slow down your footage in post-production. This will eliminate the noise that your lens makes while hunting for focus.
With a wide a focus area, the FlexiZone - Multi makes it easy to focus on moving subjects, while the FlexiZone - Single is effective for focussing on a particular subject. Once you have chosen your Picture Style, whether it be Landscape, Portrait or Monochrome, you can customise the look by hitting the Info button and editing the settings. White balance is also important to get right in-camera.
Generally speaking, the best custom white balance setting to use for daytime shooting would be kelvin, which will give you a warmer tone. At nighttime, a kelvin of around will give you a cooler, more blue tone. One of the most important things to remember when shooting video is that your shutter speed should be set to double your frame rate.
This will help you achieve smooth, cinematic-looking motion. Your aperture setting allows you to control depth-of-field and how much of your shot is in focus. Your ISO setting allows you to control the sensitivity of your camera.
The higher your ISO, the brighter your video is going to be. But remember that the higher your ISO number is, the granier and less detailed your video will be. Learn more about videography with this tutorial series. Discover what lenses and accessories you need to start shooting better video footage with this guide. Learn how what is shortening in uk baking create pro-looking timelapse sequences with this simple video tutorial.
In this insightful guide, we share the best camera settings for shooting quality video. Back to Photography Tips. Subscribe Receive a monthly collection of stories, tips and inspiration. Email Address This value should be a valid email. I agree to the Privacy Notice. This value should be a valid email. Best Camera Lenses and Accessories for Shooting Video Discover what lenses and accessories you need to start shooting better video footage with this guide.
How to Shoot Your First Timelapse Video Learn how to create pro-looking timelapse sequences with this simple video tutorial.
Your Canon EOS Rebel T1i/D offers a first-ever feature for digital SLR cameras: the ability to record digital movies. Itís easy ó and fun ó to learn how to make videos with your digital camera. You wonít get the quality of a professional video camera, but you will have a fun way to record memories [ ]. Feb 01, †∑ funlovestory.comst in a series of video tutorials for the Canon EOS D,T1i,KissX3. This one shows the body and controls. Future videos will cov. May 13, †∑ There are, however, some notable drawbacks to the Canon EOS D's video mode. For a camera making such a big noise about its video mode, it's quite difficult to actually start recording one. You have to set the Mode Dial to the Movie mode, then the AF-On button to set the focus, then press the Live View button on the rear of the camera to begin recording (with the same button ending the movie)/5.
The camera's dimensions are exactly the same You'd be hard-pressed to tell the two cameras apart if their name badges were hidden. Holding the camera is slightly awkward because the EOS D's comparatively small body size means that the grip isn't particularly deep and people with large hands like me may find that their little finger has nowhere to go. Definitely something to consider, and worth a trip to your local camera shop to try out the D in person.
As the name suggests, this lens has image stabilisation, an important factor given that competitors like Sony, Olympus and Pentax all offer image stabilisation in their DSLRs. The difference between Canon and Nikon and the others is that Sony, Olympus and Pentax have opted for stabilisation via the camera body, rather than the lens, which therefore works with their entire range of lenses.
Canon's system is obviously limited by which lenses you choose, but it does offer the slight advantage of showing the stabilising effect through the viewfinder. Canon and Nikon also claim that a lens-based anti-shake system is inherently better too, but the jury's still out on that one. Like most entry- and mid-level DSLRs the EOS D provides a number of auto shooting modes aimed at beginners, including portrait, landscape, close-up, sports and night portrait and flash off choices.
All of these functions performed adequately, apart from the close-up macro mode that did not come near to offering a true reproduction you'll need a dedicated macro lens for that. There are, of course, manual and semi-automatic modes for users who want more advanced exposure control. Canon refers to these advanced operations as the 'creative zone' and provides all the normal settings including Program, Aperture and Shutter Priority and the full manual mode.
Additionally, they provide the 'A-DEP' Automatic Depth of Field function that gives a wider depth of field between a near and far subject. New for the EOS D is the Creative Auto CA mode, which as the name suggests provides a half-way house between full auto and the more advanced shooting modes. First featured on the more expensive 50D model, this mode is targeted at beginners who have grown out of using the Full Auto mode, allowing you to change a few key settings using the LCD screen, with a simple slider system for changing the aperture and exposure compensation, or Background and Exposure as the camera refers to them.
Once the EOS D is in the 'creative zone' users can adjust the ISO setting into one of eight positions from to , a versatile range that is more than adequate for virtually any lighting conditions. This expansion is a very welcome move by Canon which surpasses most of its competitors. The viewfinder displays the key exposure information including ISO speed. Most of the D's buttons are located logically on the rear of the camera, although the large 3 inch screen does make the overall layout a little complicated.
It offers quick access to the Continuous modes, Auto Focus, Metering modes and Picture Styles via its circular four-way controller. Aperture and shutter speed settings can be easily adjusted with the index finger on the well-positioned dial, but it's annoying that you have to hold down the Exposure Compensation button to change the aperture in Manual mode, rather than just press it once to toggle between shutter speed and aperture.
If you're new to DSLRs and don't understand the terminology, basically Live View allows you to view the scene in front of you live on the LCD screen, rather than through the traditional optical viewfinder. This is an obvious attraction for compact camera users, who are familiar with holding the camera at arm's length and composing via the LCD screen.
It's also appealing to macro shooters, for example, as it's often easier to view the screen than look through the viewfinder when the camera is mounted on a tripod at an awkward angle. A grid line display and very useful live histogram can be enabled to help with composition and exposure, and you can zoom in by up to 10x magnification of the image displayed on the LCD screen. Live View can also be controlled remotely using the supplied EOS utility software, which allows you to adjust settings and capture the image from a PC.
There are now three types of focusing system on offer in Live View mode. The first, Quick AF, works by physically flipping the camera mirror to engage the auto-focus sensor, which then momentarily blanks the LCD screen and causes a physical sound, before the image is displayed after about 1 second. The second method, Live AF, uses an image contrast auto-focus system, much like that used by point-and shoot compacts, the main benefits being the complete lack of noise during operation, and no LCD blackout.
Unfortunately this is much slower than the Quick AF mode, taking over 3 seconds to focus on a clearly-defined subject in bright light, which I think will put off most users that are attracted by the promised point-and-shoot experience. The new third method, Face Detection AF, uses the same contrast auto-focus system as Live AF, with the addition of being able to detect human faces and set the largest face closest to the center of the frame as the AF point.
It also suffers from the same 3 second focus lag. Live View is also used for the feature that will arguably generate the most interest in the Canon EOS D: its movie mode. The D works almost in exactly the same way, recording high-definition, wide-screen video in x pixel resolution in MOV format using the H. Strangely, though, it only does so at a frame rate of 20fps, rather than the 30fps offered by the 5D Mark II.
Drop down to the D's p video mode, and the frame rate is 30fps. Video can also be recorded in x VGA quality at 30fps. The maximum size of a single video clip is either 4 gigabytes or one second below 30 minutes. You can also take either single or continuous stills during recording, with video capture continuing after the final still frame has been taken.
Audio is recorded in linear PCM format without any compression. There's a built-in microphone on the front of the camera for mono recording, but sadly there's no socket for connecting an external stereo microphone, as on the 5D Mark II. It uses the industry-standard HDMI mini-out connection, but note that you'll need to purchase a suitable cable separately.
By offering video capture in a DSLR, Canon has made it possible for filmmakers to play with depth of field the way they never could, taking advantage of the relatively big APS-C image sensor and the wide assortment of Canon lenses.
For a camera making such a big noise about its video mode, it's quite difficult to actually start recording one. You have to set the Mode Dial to the Movie mode, then the AF-On button to set the focus, then press the Live View button on the rear of the camera to begin recording with the same button ending the movie.
It's a big improvement on the 5D Mark II's even more convoluted method, but not on a par with the one-touch system that rivals offer.
Although you can autofocus during movie recording, the camera uses the painfully slow contrast-AF mode, and even the user guide warns against trying to auto-focus. Focusing manually is a much better idea, although most AF lenses have MF rings with very little 'travel' between their close-focus point and infinity, and in a quiet environment it's also possible to hear the sound of the focusing ring in the video.
You can't set the aperture from the camera in movie mode, so you will want to use lenses that have an aperture ring if possible. Similarly the shutter speed cannot be set by the user in movie mode either, so you will have to rely on the camera's auto-exposure system while filming.
Handholding the EOS D and shooting video is very difficult, with the DSLR form factor not lending itself well to controlled shooting at arm's length. It's a much better idea to mount the camera on a dedicated video tripod. Casual users hoping to grab some quality footage of the kids may be put off by the inherent difficulties of shooting video using the relatively alien SLR format.
The new, higher-resolution 3 inch LCD screen gives an excellent, clear view of your pictures from wide viewing angles, and when compared to the older D, the new screen provides more accurate feedback on a picture's exposure and color reproduction.
With ,dots, this large screen is a great way to show off your images to friends and family, and will therefore definitely appeal to its target audience. By default, the current camera settings are displayed on the LCD screen. This can be turned off by pressing the Display button, and there's also a new handy sensor underneath the viewfinder, which detects that you're looking through it and turns off the LCD display to both save power and stop it from distracting you this can be enabled or disabled in the main menu.
The Canon EOS D's dust-removal technology, where the sensor is shaken briefly at high frequency to dislodge any dust particles from its surface, has been upgraded with a fluorine coating on the low-pass filter for better dust resistance. This can then be deleted automatically after the shoot with the supplied Digital Photo Professional software. Peripheral Illumination Correction is a new addition that's actually a lot simpler that it initially sounds. Basically it corrects the unwanted effects of vignetting, typically seen in wide-angle photos in the corners of the frame.
Up to 40 lenses can be programmed into the D, with over 80 currently available to choose from. Peripheral Illumination Correction is a useful and effective addition, particularly for JPEG shooters, and can safely be left turned on all of the time. The main menu system is inherited from the professional EOS cameras, with a simplified tab structure that does away completely with scrolling. There are 8 tabs, with up to 7 options in each one, providing quick and easy access to the various options.
You can even setup your own customised menu page for instant access to frequently used settings via the My Menu tab. Pressing the Display button when using the Menu system displays all of the camera's current key menu settings laid-out for easy viewing on the LCD screen. This extends shooting time on a single charge to a claimed maximum of shots down from the D's shots - I managed around and a few movie clips before the battery ran out. If you have never used a digital camera before, or you're upgrading from a more basic model, reading the comprehensive but relatively easy-to-follow manual before you start is a good idea.
Thankfully Canon have chosen to supply it in printed format, rather than as a PDF on a CD, so you can also carry it with you. The start-up time of the Canon EOS D, from turning the camera on to being ready to take a photo, is quite quick at around 2 seconds. Focusing is blazingly quick and very consistent in good light with the standard mm kit lens, with the wide-area 9-point AF system offering generous scene coverage, and the camera happily achieves focus indoors and in low-light situations.
It takes less than a second to store a JPEG image at the highest quality setting with no discernible lockup between taking shots, allowing you to keep shooting as they are being recorded onto the memory card. In the continuous shooting mode you can hold down the shutter button and take 3.
All in all a great performance given the large 15 megapixel files that this camera produces. Once you have captured a photo, the Canon EOS D has an average range of options for playing, reviewing and managing your images. More information about a captured image can be seen on the LCD by pressing the Display button, which brings up an image histogram and all the shooting Exif data, including shutter speed and the time and date it was captured, with a second press displaying an additional RGB histogram.
It is simple to get a closer look at an image as users can zoom in up to 15 times, and it is also possible to view pictures in a set of nine contact sheet.
You can also delete an image, rotate an image, view a slideshow, protect images so that they cannot be deleted, and set various printing options. Unlike some competitors, there are no digital styles or effects that can be applied to an image after it has been taken - the more subtle Picture Styles are the only way of tweaking your JPEGs in-camera.
The camera shows you a preview of what the effect will look like when applied, and the effect is applied to a copy of your image, thus preserving the original intact. Video recording is a headline grabbing addition which suffers from some limitations that will put off the casual user. All of the sample images in this Review were taken using the 15 megapixel Fine JPEG setting, which gives an average image size of around 6Mb.
Image stabilisation via the kit lens is a feature that helps the EOS D keep up with its competitors, and one that works very well when hand-holding the camera in low-light conditions or when using the telephoto end of the zoom range. The 15 megapixel images were quite soft straight out of the camera at the default sharpening setting and ideally require some further sharpening in an application like Adobe Photoshop, or you can change the in-camera setting.
The built-in flash worked well indoors, with no red-eye and good overall exposure. The night photograph was very good, with the maximum shutter speed of 30 seconds and Bulb mode allowing you to capture enough light in all situations. The right-hand image has had some sharpening applied in Photoshop.
The out-of-the camera images are a little soft at the default sharpening setting and benefit from some further sharpening in a program like Adobe Photoshop. You can also change the in-camera sharpening level to suit your tastes via the Picture Style options.
These shots of a white coloured wall were taken at a distance of 1. And here are some portrait shots. The Canon EOS D's maximum shutter speed is 30 seconds and there's a Bulb mode for even longer exposures, which is excellent news if you're seriously interested in night photography. To test this, I took 2 handheld shots of the same subject with the same settings.
The first shot was taken with Image Stabilisation turned off, the second with it turned on. As you can see, with Image Stabilisation turned on, the images are much sharper than with anti-shake turned off. This feature really does seem to make a difference and could mean capturing a successful, sharp shot or missing the opportunity altogether. Canon's Picture Controls, similarly to Nikon's Picture Styles, are preset combinations of different sharpness, contrast, saturation and colour tone settings.
The six available Picture Controls are shown below in the following series, which demonstrates the differences.